Through drawing, sculpture, and site-specific installation, I map the hidden infrastructures of the environments we inhabit, looking simultaneously at the collective systems of the city and the intimate routines of personal survival. My work examines the tension between our desire for individual privacy and our total reliance on the shared structures, spaces, and strangers around us. Working with technical pens, I translate these everyday frictions into life-sized environments, turning flat, detailed drawings into walkable architectural ruins that carry both the physical weight of construction and the quiet passage of shared time.

This slow, obsessive drafting process functions as an ongoing archive of upkeep. My practice stems from navigating an overwhelming emotional and environmental weight; for me, the most viable way to survive it is to build a meticulous cage around it with thousands of tiny ink lines. Whether documenting overlooked public maintenance or mapping the small rituals of personal coping, I treat the surface of the paper as a working ledger. This repetitive discipline lends permanence to the fleeting traces of our surroundings, drawing a direct parallel between the invisible maintenance of a city and the daily effort required to keep an individual life in motion.

The work shifts across scales, moving from small, handheld studies up to rigid wooden armatures surfaced with heavy, wallpapered sheets. By contrasting delicate ink lines with raw architectural frameworks, I build environments that envelop the viewer and slow down their perception. Ultimately, this dense accumulation of marks serves as a physical record of endurance—creating a space that asks what happens when we pay sustained, quiet attention to the vulnerable systems that keep us intact.