My work begins with close attention to the traces people leave behind. I watch how bodies move through the city, how belongings are carried, placed, or abandoned, and how small arrangements of objects become evidence of daily living. Drawing these encounters helps me understand how human presence shapes space, memory, and the fragile record of where we have been.
Line is the way I hold onto the world. Working in black and white, I build forms through accumulations of marks that shift between clarity and abstraction. The repetition becomes a way of returning to a moment, anchoring myself to it, and preserving what might otherwise slip away. The process tethers me to place, offering structure in a world that is constantly shifting.
My practice moves between architectural fragments and the human figure, between the built world and the bodies that animate it. I am drawn to the gestures and objects that reveal how we care for each other and how we inhabit the everyday. Whether I am drawing a corner of a room, a piece of clothing, or the suggestion of a figure, I am looking for the quiet moments that shape our sense of belonging.
Drawing is both a method and a grounding. It is how I stay connected to the places I move through and how I learn to see what is often overlooked. Through this process, I explore the tension between permanence and impermanence, structure and vulnerability, and the subtle weight of human presence that holds our daily lives together.
