My practice investigates the friction between fixed urban infrastructure and the transient bodies that animate it. Modern cities often demand a level of human anonymity; my work captures the erasure that anonymity creates. I look for the quiet moments and subtle gestures that shape a sense of belonging in a world of constant movement.
I move between architectural fragments and the human figure: between the built world and the bodies that inhabit it. I am drawn to the gestures and objects that reveal how we care for each other and how we inhabit the everyday. Whether I am drawing a corner of a room, a piece of clothing, or a life-sized figure, I am looking for the quiet evidence of daily living that often goes unrecorded.
Line is the way I hold onto the world. Working in black and white, I build forms through accumulations of marks that shift between clarity and abstraction. The repetition becomes a way of returning to a moment and anchoring myself to it. This process tethers me to place, offering structure in a world that is constantly shifting.
Drawing is both a method and a grounding. It is how I learn to see what is often overlooked. Through this process, I explore the tension between permanence and impermanence; structure and vulnerability; and the subtle weight of human presence that holds our daily lives together.
