Artist Statement:
My process is built on obsession, an almost compulsive need to record, contain, and remake space through mark-making. Each line becomes a tether to memory, place, and the feeling of being surrounded by detail. Drawing is my way of making sense of the world; nothing I see becomes real until my pen has traced its surface.
I collect fragments of my daily life – photos, abandoned objects, and architectural detritus – like an archaeologist of the present. These remnants are translated into drawings and immersive installations that reconstruct the textures of lived experience. Over time, these drawings accumulate into larger, increasingly immersive works that blur the boundary between reality and imagined space.
Whether on paper, wood, or directly onto sculptural objects, my marks strip away color to emphasize pattern, density, and form. I use white-primed surfaces as blank stages for intricate black linework, each one shaping space into something simultaneously familiar and surreal. The final environments become interactive worlds where obsessive detail invites viewers to get lost in a landscape entirely built by hand.